This post is hat tip to hels. đ
Spectacular masterpiece at the Louvre.
It shows the Virgin Mary enthroned with the Christ Child and the Chancellor Nicolas Rolin kneeling before her. Jesus raises his right hand to bless Rolin.
For us today, we take these paintings for granted.
But, the lifelike illusion of this painting must have been truly spellbinding in the 15th century.
It’s partly due to the striking & vivid richness of the colours (the Louvre celebrated an exhibition recently following the conservation of this painting). The vermillion of the Madonna’s long loose flowing dress, the purples shades of Chancellor’s robes and not to mention the ultramarine of the Chancellor’s table cloth and the angel’s garments. The floor tiles are so ornate and so convincing. The linear and atmospheric perspective are terrific.
The sense of realism is a huge part of the artist’s power. Careful rendering of the tiles is (frankly!) a shocking testament to Van Eyck’s painstakingly laborious and meticulous nature. It’s also his mastery of linear perspective. The tiles have a pattern and he’s very careful to observe it. Van Eyck’s play on light is exceptional. I love the detailed rendering of the folds of the Madonna’s dress and the shadows within.
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The author indeed captures the divine through precision, light, and reverence, transforming paint into something almost breathing.
ReplyDeleteThose are really nice.
ReplyDeleteWhy do you always need to stay beside the painting ?
ReplyDeleteYes, those paintings were the TV, movies, and media of their day. And just as full of propaganda.
ReplyDelete