Note: This write-up of London’s National Gallery’s major exhibition: “Van Gogh: Poets and Lovers” will be over 3 parts.
This show is a once-a-century blockbuster.
It contains 60 (!!!) of Van Gogh’s most famous pictures. There have been loans from around the world — from Athens to Mexico City! And, some, very special paintings from private collections (which we may never see again).
Everything in the exhibition was painted in the 2 short years that he spent in the South of France, in both Arles and Saint-RĂ©my-de-Provence. It attempts to challenge our misconceptions of Van Gogh. By curating the show thematically (i.e. “garden” or “decoration”), his works can be seen in a fresher perspective. The gallery doesn’t want us to fall into the trap of seeing Van Gogh in the cliche chart of: ... Hope on arrival to set up an artists colony... Disintegrating relationship with Gauguin... Severing off ear... Going mad... Lunatic asylum... Suicide...
Instead, themes pervade the entire gamut of Van Gogh’s time in the South of France — both Arles and Saint-RĂ©my. As such, he was interested in the recurring ideas & themes ... a consistency.
My overall thoughts:
- Amazing capacity as a colourist, and the way he arranges compositions.
- Love the incredible atmospheric scenes rendered & their “life-force” (part 2).
- The expressive brushstrokes in his use of colour in portraitures — not descriptive, but quite expressive and symbolic.
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Room 1 — Introduction (1888)
In Feb 1888, Van Gogh went to live and work in the South of France.
This room instances van Gogh’s enduring love for parks and nature, and his symbolic portraits of “The Poet” and “The Lover” (betokening the exhibition’s title).
The Poet, The Portrait of EugĂšne Boch - 1888
Love it.
This guy — Mr. Boch — was actually an artist. But, van Gogh thought he was the “ideal” poet.
Apparently, he thought his narrow face reminded him of the poet Dante.
The blue sky was intended to convey the impression of a man who “dreams great dreams.”
Close up of Van Gogh’s distinct signature eyes.
Colours harmonious and intense... reaching towards some “inner self” being painted?
The interior’s mirror.
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The Lover, Portrait of Lieutenant Milliet - 1888
A stately & striking picture. This is “The Lover” ...
It seems Milliet was known to Van Gogh as the epitome of success — a military man and “conquering” with the women.
Van Gogh depicts the Lieutenant in a dashing uniform, a distant serious aspect, a bold and elegantly bristling moustache, an overall dignified appearance.
The dark green background creates a dramatic surface to further highlight his aspect.
Beautiful.
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The Poet’s Garden (Public Garden in Arles) - 1888